Martina Copley is an artist, curator and writer interested in different modalities of practice and the annotative space. Working in film and sound, drawing and installation, her doctoral research project at the Victorian College of the Arts, University of Melbourne, 2019, considered the transposition of the rhetorical figure of the aside as a poetic strategy in art.
Recent exhibition projects and publications include Doubting Writing/Writing Doubt, ACCA + RMIT non-fiction Lab, 2019; No Notes (This is writing), with Francesca Rendle-Short, 2017; Unhidden, Counihan Gallery, Melbourne, 2017; Between these worlds there is no ordinary continuity, Melbourne Festival, 2016; FM[X] What would a feminist methodology sound like? WestSpace, Melbourne, 2015; A Listener’s guide to bowing, Melbourne School of Architecture & Design., 2015; Black Painting, seventh, Melbourne, 2014; New Ancestors, City & Docklands Libraries, Melbourne, 2014; At dawn the image rings a dissonant tune that is inaudible to our ears and cannot be recalled, with Michaela Bruton, BUS Projects, 2014.
Martina has experience as an independent curator of contemporary art and gallery manager in public, commercial and artist-run contexts.
Selected curatorial projects include; Works<30s No.46-55 – With Lou Hubbard, Nathan Gray, 2016, BLINDSIDE PLAY, Melbourne; I always read by listening to the text, 2014, Platform, Melbourne; Bridie Lunney: The place where the fire is kept, 2014, Phoenix Foyer Commission, Melbourne; Self Species, 2012, LaTrobe University VAC Gallery, Bendigo & Maroondah Gallery, Victoria; The Five Obstructions, 2011, Margaret Lawrence Gallery, VCA, University of Melbourne; WALK, national touring exhibition, 2009; The Time It Takes, 2009, Gippsland Art Gallery, Sale, Victoria.
Martina lectures at LaTrobe College of Art + Design in Melbourne. She is an Artistic Director and the gallery coordinator at BLINDSIDE Art Space.
Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License 2012