MARTINA COPLEY is an artist, curator, educator and writer interested in different modalities of practice and the annotative space. Working in film and sound, drawing and installation, her doctoral research project at the Victorian College of the Arts, University of Melbourne, 2019, considered the transposition of the rhetorical figure of the aside as a poetic strategy in art.
My practice is a vagabond investigation.
There are some principles. Letting the work speak how it is made. Uncertainty in a dynamic puts everything at attention.Everything requires attention. Looking at the change of things, what takes place, notated and not. Vantage includes the way in which objects come into question even as they come into view. Stutter and stumble are descriptions of flow that have their own flow. Beginning in the middle, what happens in the middle is itself, and new. All things are equal to world.
An apprehension of contingent orders, the work doesn’t have a set form. Sound idea, object and modality are collated to set up a structural space for something to exist, a space in which the work moves towards an opening and at the same time asks questions about itself.
Recent exhibition projects and publications include Pant and doorbell thump is wants wants, with Lou Hubbard, BUS Projects, Melbourne; The other writing, Seventh, Melbourne, 2020; Doubting Writing/Writing Doubt, ACCA + RMIT non-fiction Lab, 2019; No Notes (This is writing), with Francesca Rendle-Short, 2017; Unhidden, Counihan Gallery, Melbourne, 2017; Between these worlds there is no ordinary continuity, Melbourne Festival, 2016; FM[X] What would a feminist methodology sound like? WestSpace, Melbourne, 2015; A Listener’s guide to bowing, Melbourne School of Architecture & Design., 2015; Black Painting, seventh, Melbourne, 2014; New Ancestors, City & Docklands Libraries, Melbourne, 2014; At dawn the image rings a dissonant tune that is inaudible to our ears and cannot be recalled, with Michaela Bruton, BUS Projects, 2014.
Martina has significant experience working with contemporary artists and creative organisations as an independent curator of contemporary art and gallery manager in public, commercial and artist-run contexts. Selected curatorial projects include; Works<30s No.46-55 – With Lou Hubbard, Nathan Gray, 2016, BLINDSIDE PLAY, Melbourne; I always read by listening to the text, 2014, Platform, Melbourne; Bridie Lunney: The place where the fire is kept, 2014, Phoenix Foyer Commission, Melbourne; Self Species, 2012, LaTrobe University VAC Gallery, Bendigo & Maroondah Gallery, Victoria; The Five Obstructions, 2011, Margaret Lawrence Gallery, VCA, University of Melbourne; WALK, national touring exhibition, 2009; The Time It Takes, 2009, Gippsland Art Gallery, Sale, Victoria.
Martina is a lecturer and tutor at RMIT University and at LaTrobe College of Art + Design in Melbourne. She is an Artistic Director and the gallery coordinator at BLINDSIDE Art Space.