![<p><em>Drawing for unworded sound poem</em>, 2018. Graph paper, graphite, ink. 29.7 x 42cm [Cordite Online Poetry Review. Curator Yasmin Heisler]</p>](http://www.martinacopley.com/media/pages/work/unworded-sound-poem/404ecc66e6-1698052510/martinacopley-0531-300x-q70.jpg 300w, http://www.martinacopley.com/media/pages/work/unworded-sound-poem/404ecc66e6-1698052510/martinacopley-0531-800x-q90.jpg 800w, http://www.martinacopley.com/media/pages/work/unworded-sound-poem/404ecc66e6-1698052510/martinacopley-0531-1024x-q90.jpg 1024w, http://www.martinacopley.com/media/pages/work/unworded-sound-poem/404ecc66e6-1698052510/martinacopley-0531-1440x-q90.jpg 1440w, http://www.martinacopley.com/media/pages/work/unworded-sound-poem/404ecc66e6-1698052510/martinacopley-0531-2048x-q90.jpg 2048w)
Drawing for unworded sound poem, 2018. Graph paper, graphite, ink. 29.7 x 42cm [Cordite Online Poetry Review. Curator Yasmin Heisler]
unworded sound poem, 2018. Graph paper, graphite, ink, 29.7 x 42cm. 1:00min.
Sound assistance Mara Schwerdtfegher.
Undoing the traditional hierarchies of sound producer (voice) and recorder (device) – similarly writer/reader, performer/listener – this parenthetical poem composed of sounds we might call noise or hum is a stuttering assemblage in the digital register that moves attention to the listening body.
Loss, eruption and interference become structural elements in a material poetics of transmission. With something to ‘read’ while listening.
[Body of Sound, Cordite Online Poetry Review, 89: Domestic 2019. Curator Yasmin Heisler. Editor Kent MacCarter]